Click here for free download of Michael Chusid's book: Hearing Shofar: The Still Small Voice of the Ram's Horn.

2013-05-20

Shofar Vessel as Charity Box

Arthur L. Finkle sends the following teaching:

In Eiruvin 31a-b, Rabbi Adin Steinsaltz makes a side comment:
Due to crowding, confusion and the possibility of errors, people coming to the Temple to bring sacrifices did not generally bring their own animals with them. Rather, they brought payment that was given to the treasurer of the Temple, and received a receipt with which they could go to another office and get the animal appropriate for the sacrifice that they were supposed to bring. For certain sacrifices, like those of women who had given birth, the money was deposited in the Temple collection box (there were thirteen of them) appropriate for that particular offering. Each of these collection boxes was called a “shofar” because they were shaped something like a ram’s horn, with a small opening for depositing the money and a larger body that held the money. This shape discouraged thieves from trying to extract money deposited there.
The use of the shofar name not only describes the shape of the vessel, but also signifies that the Temple functionaries utilized the vessel-shaped shofar to collect the second tithe.

2013-05-15

Sacred Violence and the Symbol of the Shofar

Arthur L. Finkle

Sacrificial Cult Sublimates into Ethical Monotheism

James Carroll posits that human worship is clothed in "sacred violence." Initially rooted in Isaac myth (and his putative sacrifice), The ancient Hebrews, departing from their neighbors’ animistic and polytheistic cults (sacrificing humans), the Sacrificial cult actually represented progress of humankind because it substituted animals and crops.

Indeed, the Hebrew God demanded that Abraham sacrifice his son, Isaac, on Mount Moriah (sited on the modern Temple Mount) in modern-day Jerusalem. An angel called off this atavistic violent act at the last minute, ultimately substituting circumcision as a nonfatal re-enactment of ritualized bloodshed that forever marks the Jewish people. Christianity, which tells the story of another Father’s willingness to sacrifice his Son, sublimates the impulse to sacred violence still further, with the bloody sacrifice of the Lamb of God commemorated for the past 2,000 years in countless variations on crosses and altars, in liturgical practices and works of art.

James Carroll, in Jerusalem, Jerusalem, makes a cogent argument story of the ambiguity of binding of Isaac the Akeida), as an encoded, mythical metaphor. It shows that the God of Abraham, who would become the God of Jews, Christians, and Muslims, does not desire human sacrifice. He sends a ram to substitute for Isaac, marking his difference from Canaanite deities like Moloch.

Symbolizing this crucial sublimation of violence was the shofar, the horn used as Isaac’s substitute.

Nonetheless, this sublimation has failed to eradicate religious violence. The litany of wars fought in the name of religion (war in the Hebrew Scriptures; the anti-Judaism of the early Christians and vicious anti-Semitism of subsequent centuries; the wars of Islamic conquest in the name of Allah; the Crusades; to the current jihadist movement) attest to the violent impulses that originally gave rise to religion that religion has never fully succeeded in taming.

So how do these facts affect a blog on the shofar?

We can follow the shofar used as a symbol of the changes in religious development. For example, the Isaac story utilized the sacrifice of a ram. The sacrifice of Isaac in turn was that of a lamb; Jacob’s coat was smeared in ram’s blood. We follow Moses in the wilderness and see that his sacrifices and those of his religious head, Joshua were those of a lamb. We read in the Judges period the use of a lamb. In Kings, we see that Kings Saul, David and Solomon’s coronations were announced by a ram’s horn.

Thereafter, we see that the Priests instituted the sacrificial cult in the First and Second Temples. At this point, the Hebrews believed in Monotheism – that is – they believed in one god, although they also acknowledged that others worshipped other deities.

That the shofar was a fixture in the Temple sacrificial cult is evidenced in the Mishnah, Arakhin, Chapter Two, Mishnah Three

Section one: There was a minimum of 21 daily trumpet blasts in the Temple and a maximum of 48. The explanation of this section can be found in Sukkah 5:5. The maximum number of blasts was sounded on erev Shabbat during Sukkot.

Section two: The harps were played to accompany the singing of the Levites.

Section three: The flutes were played on special occasions, namely holidays, as the rest of the Mishnah explains.

Section four: The flute was played on the first day of each holiday, and also on any day that a pesach sacrifice was slaughtered (the fourteenth of Nissan, and the fourteenth of Iyyar). During Sukkot it was played every day. Section five: The flute that they played was a pipe made of reed, for its sound is sweeter (according to rabbinic tastes) than the bronze pipe.

Section six: At the conclusion of the song, they would end with a single pipe (flute) which is more pleasant than completing with two (or more) at the same time. See also Talmud - Babylonian. Sukkah 5a.

During the Second Diaspora in Babylon, the Hebrews, bereft of their Temple listened to the prophets’ talk about Ethical Monotheism – that One God who demands righteousness.

However, it was the violence of the Babylonian captivity, when the Hebrews were exiled in 586 – 415 BCE, that the Hebrew People recognized how different their God was from the idol worshippers around them. Initially they became ‘monolators,’ people who worshipped one and only one god but who did not deny the existence of other gods. At the center of this new identity was the desire to return to Jerusalem, representing where God heretofore had dwelt. Carroll then offers that the Torah and Judaism itself as being established in exile as a response to this violence, ultimately becoming Ethical Monotheism.

“God is one. It isn’t that we only worship one God, it is that there is only one God. All of us, all of us creatures, especially human beings, are children of the one God. It’s a principle of peace. Here are a people who have just been kidnapped, ethnically cleansed, and they are building a theology that sees even their captors as part of the same oneness with God.”

Late in this era, Isaiah 2, the poet laureate of God's universalism, sublimates this envy and violence, with Jerusalem at its root:

"It shall come to pass in the latter days that the mountain of the house of the Lord shall be established as the highest of the mountains and shall be raised above the hills; and all nations shall flow to it, and many peoples shall come and say, `Come let us go up to the mountain of the Lord, to the House of the God of Jacob, that He may teach us His ways, and that we may walk in His paths: For out of Zion shall go forth the law and the word of the Lord from Jerusalem. He shall judge between the nations and shall decide for many peoples, and they shall beat their swords into plowshares and their spears into pruning hooks: nation shall not lift up sword against nation; neither shall they learn war any more:' Isaiah 2:1-4. This vision is shared by the prophet Micah, 4:1-5. Ultimately we have Ethical Monotheism, the worship of One God universally. Gal Beckerman Read more: http://www.forward.com/articles/136434/#ixzz1IrNGOctO

Even with these prophecies of universalism, the sacrificial cult predominated in the Holy Temple. After the destruction of this temple, the Rabbi’s decided to make individual homes and houses of prayer as substitutes for the Holy Temple. For example, the Torah was codified., It was covered with a crown, reminiscent of that worn by the High Priest. The bells on the decorated Torah represented the bells of the High Priest. The covering of the Torah represented the same dressing of the Priests. Of course, the choshen (medallion with 12-gems representing the 12-tribes- worn by the high Priest, now decorated the Torah. And the eternal light was now represented in the synagogue.

Temple instruments were banned as a sign of mourning the loss of the Temple, except the shofar, which could announce the New Year and the Jubilee years, as well as serve as a signal for precaution and as a reminder for the approaching Sabbath.

Ultimately, this further developed into a universal Ethical Monotheism wherein Gabriel was to usher in the Messiah.

As we progress to transcendentalism, Carroll connects the idea of experiencing God in this life with the experience of oneness, the experience of being one with God (and perhaps with other people as well). In Christianity, such an event is agape love. After World War 2, Jewish scholar Martin Buber referred to this kind of existential experience as an “I-Thou” encounter.

2013-05-12

Artwork by Avaraham Loewenthal

Avraham Loewenthal creates beautiful art inspired by Kabbalah. He recently sent me this illustration and wrote,

"i have continued to create works based on the shofar blowing.  i just finished a piece a few weeks ago that i am excited about.  i took the the basic set of 4 shofar sounds and sounded them through  spectrograph, software that maps out the sound waves.  i then made a piece based on that image. the sounds start from the bottom and then ascend upwards."

The image reminds me of the Mandelbrot curve, a fractal shape of infinite complexity. The 4 shofar sounds appear to be tekiah, shevarim, teruah, and tekiah gedolah.

For more on Avraham's art, see his site at www.kabbalahart.com and Chapter 1-5 – Blast, Break, Shatter, Blast of Hearing Shofar: The Still Small Voice of the Ram's Horn.

2013-05-07

Mr. Shabbos sings "Shofar So Good"

Shofar and Yovel

"The Sefer HaChinuch explains that the Torah commands us to blow the shofar on yovel because freeing a slave is a very difficult mitzvah, and the slave-owners need chizuk. A master who has had a slave for many years may well have become dependent upon him and find it hard to part with him. By sounding the shofar, we are publicly proclaiming that it is yovel, and all Jews will be freeing their slaves. The master will then recognize that throughout the Land of Israel, everyone is freeing his slaves, and so it will be easier for him to free his own slave." 

From an essay by Rabbi BenZion Shafier at http://www.israelnationalnews.com/Articles/Article.aspx/13236#.UYnClILZgck accessed 2013-05-07

2013-05-01

Can a shofar be a bell?

The online Encyclopaedia Britannica entry on "bell" says:
bell, ....hollow vessel usually of metal, but sometimes of horn, wood, glass, or clay, struck near the rim by an interior clapper or exterior hammer or mallet to produce a ringing sound. (emphasis added)
I have written about using shofar as a percussion instrument by striking it from the outside. By the definition above, I suppose the shofar I played is a bell. I plan to experiment with clappers inside the horn, and will report on the results.

Researching the subject online is challenging, since the flaring end of a wind instrument is also called a bell, hence a search for "horn and bell" produces information on the brass woodwinds, English horn, and other "real" instruments.

It also produced the following delights.

ImageImage
Bighorn Mountain Sheep and Der Bock Goat bells by Carl Wagner.

2013-04-30

Public proclamation of Shabbat

Arthur L. Finkle sent the following:

Shabbat 35a-b – asks, “How did people know when Shabbat was going to begin? The Gemara related that the Rabbi Yishmael school taught: Six blasts are sounded on Shabbat eve:
  1. The first tekiah - the people standing and working in the fields refrained from hoeing, and from plowing and from performing all labor in the fields. And those workers who work close to the city are not permitted to enter the city until those who work farther away come, so that they will all enter together. Otherwise, people would suspect that the workers who came later continued to work after the blast. And still, at this time, the stores in the city are open and the shutters of the stores, upon which the storekeepers would arrange their merchandise in front of the stores, remain in place. 
  2. After the second blast, the shutters were removed; the stores were locked. But in the homes hot water was still cooking on the stove and pots remained in place on the stove.
  3. The third blast meant the removal of the food from the stove; insulated hot water for Shabbat; the Shabbat lights lit. And the one sounding the shofar pauses for the amount of time it takes to fry a small fish or to stick bread to the sides of the oven.
  4. Then he sounds a tekia, and 
  5. sounds a terua, and 
  6. sounds a tekia, and accepts Shabbat.
The shofar blasts advising the people of Shabbat had to be heard throughout the city of Jerusalem and beyond, especially by those working in the fields. Although the Gemara does not indicate where the Shofar was sounded, Josephus refers to the spot as being on one of the towers of the Temple (Wars of the Jews 4:9:12). During the archaeological excavations a large stone was discovered at the southwest corner of the walls surrounding the Temple Mount, with the inscription: "To the trumpeting place to…" Apparently, it fell from a tower atop the wall and shattered during the destruction of the Temple by the Romans in 70 CE.

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I have postulated a seventh shofar blast, a silent supernal one of rest.

2013-04-28

Registration closes soon for shofar class at Aleph Kallah

Reb Zalman called me to his side during Rosh Hashanah. Speaking gently yet with authority, he offered,
Rabbi Zalman Schachter-Shalomi instructing Michael Chusid on shofar. Photo by Mark Redden.
"Sometimes when someone blows a long tekiah gedolah, the shofar blower's ego starts thinking, 'Wow, I'm good. This is a really long blast. I hope everybody is noticing me.' So there is a way when, just before falling asleep at night, that we visualize we are giving our breathe back to God. Doing this helps us prepare for when we die, and get to give our last breathe back to God. This is a good kavanah for the shofar blower. When you do it this way, the shofar blasts carry our prayers straight to God."
This is just one of many shofar teachings Rabbi Zalman Schachter-Shalomi gave me when I was ba'al tekiah (shofar Master Blaster) during nearly two decades of High Holy Days services that we shared. I will be transmitting his teachings about shofar, and those of many other sages, at the Aleph Kallah to be held in New Hampshire this July, see www.aleph.org/kallah.htm.

Shofar echoes throughout time — from the breath of Creation to trumpeting the final redemption. Holy texts describe our ancestors using shofar to communicate with God, warriors, and workers in the field, to hold oil for anointing and wine for drinking, and to mark fasts and seasons of joy. Calling in both masculine and feminine voices, shofar unifies the Four Worlds. Shofar is a powerful technology for prayer, meditation, tikkun olam, music, and transformation. 

Based on my experience teaching thousands of people to awaken the voice of shofar, I guarantee that you can sound shofar. In time for the High Holy Days, class participants will craft shofarot and learn to sound them, deepen their hearing, and prepare to serve the community as master blasters.

Here, for example, are the 20 Secrets of an Awesome Tekiah Gedolah:

1.             Practice: Remember the advice given to a tourist in New York City who asked “How do I get to Carnegie Hall? The answer: “Practice, Practice, Practice.” Blowing shofar daily throughout Elul – the month preceding the New Year – will assure you are in top form for Yamim Noraim – The Days of Awe. The practice throughout Elul, however, is not just to perfect technique. Practice also awakens the blower spiritually, aligning him or her with the sound of shofar and the process of teshuvah.

2.              Conditioning: The healthier you are, the easier it will be to blow a strong, loud blast. I like to swim the length of a swimming pool underwater, a discipline that requires breath control similar to immersing myself in a tekiah gedolah. Steve. a fellow shofar blower in my shul, was able to sustain a longer shofar blast after he stopped smoking.

3.              Mind the Basics of Posture and Breathe Control: Loosen your belt and collar to free-up your breathing apparatus. If decorum permits, remove your shoes so you are in better contact with the earth and become the connection between ha'shamayim ve'et ha'aretz.

4.              Preparation is the Key to All Spiritual Ritual: In the moments leading up to shofar sounding, turn inward; this is not the time to be concentrating on the prayer book or the mounting intensity of the worshipers surrounding you. I concentrate on my own most intimate prayers and assume a meditative composure. Sometimes I pull my tallit over my head to allow me privacy to do the inner work I must do. Rather than listening to the Rabbi and responses, I allow myself to feel the vibrational field of sound in the sanctuary. I pay attention to feeling centered in my own body and in contact with the earth. And I begin breathing slowly and deeply, inhaling oxygen into every cell of my body and exhaling carbon dioxide along with sins of the past year. By the time I am called forward to blow shofar, I aim to be of a single-mindedness of purpose – to connect heaven and earth in the sounding of shofar, advancing the process of teshuvah for myself, my congregation, all of Israel, my fellow Earthlings, and all the worlds beyond.

5.              Shofaring is Not a Performance Art: Blowing shofar is devotional service. If you remember that it is not a performance, you will experience less performance anxiety, leading ironically to a better performance.

6.              Kavanah and Prayer: Kavanah is the intention underlying our actions. One can read the words of a prayer book out of intellectual curiosity, or one can read them with a sense of reverence; they are the same words, but your relationship to the words will be different because your kavanah is different. Before blowing shofar in shul, I pray, quietly, that I be worthy to act a messenger for the congregation, that my shofar blast be accepted as a giant AMEN to all the congregation’s spoken and unspoken prayers (including my own), and that I be given the strength and skill to sound shofar in such a way that it will be heard by anyone in the congregation who has not yet completed their teshuvah work (including myself). If my kavanah is clear, then it does not matter how long my tekiah gedolah is, it will be awesome.

7.              Believe that the Longer you Blow, the more Opportunity you are Giving God to Show Mercy: Central to the High Holy Day liturgy is the belief that we can bargain with God for mercy. The machzor – prayer book for the Days of Awe – says, “Our Father, our King, be gracious and answer us, for we have too few good deeds. Treat us with justice tempered by love and bring us salvation.” Anthropomorphizing The Deity, we envision a judge about to pass a harsh decree, but who, at the last moment, shows mercy. By extending the cry of the tekiah gedolah for as long as possible, you give HaShem the opportunity to show greater compassion. One student in my class told me that, as a child, she imagined that every moment her rabbi sustained the tekiah gedolah meant that more people would be sustained in life throughout the new year; she says she continues to use the imagery to inspire her to “blow as though lives depend upon it.” They do.

8.              Believe that Your Blast will Bring the Messiah: The essence of this technique is captured in a story from the Satmar Rebbe explaining why Satan is bewildered by shofar: “Every year when we blow the shofar, the shofar blasts of all the tzaddikim of previous generations are added to our present shofar sounds, and a great and holy crescendo rises to heaven. Every Rosh Hashanah, as new shofar blasts are joined to the ones of the previous years, the noise in Heaven grows stronger. Satan remembers the sound of last year’s shofar blasts. He is now confronted with a much louder noise. Afraid that enough shofar blasts have accumulated in Heaven to bring about the final redemption, he is panic-stricken, thinking that what he hears is the “shofar of Mashiach,” trumpeting his demise. The Satan’s fears are not unfounded. Mashiach can come today when our modest tekiot are added to those of the tzaddikim of past generations. Let’s not miss the opportunity. Entreat HaShem wholeheartedly and accept His absolute sovereignty, for with sincere prayer it is possible to bring the final redemption.”

9.              Feel Competitive: Despite what I have said about shofar not being a performance art and about establishing kavanah, it excites me to blow tekiah gedolah with other shofarists. Like the racer who can run faster or farther when he or she has others to pace him or her, I feel the energy of the other shofar blowers and think, “If they are still blowing, I will too – and perhaps even longer!” Like the sportsman, I shake hands with my fellow blowers if they are standing nearby and bless them with strength, because I know the better they blow, the better I will as well. When I am a shofar soloist, I compete with myself to achieve my own personal best.

10.           Use the Energy of the Congregation: I can always sustain a longer blow when I am in shul than when I am blowing for myself alone. In the same way that I draw energy from the other blowers, I feel the love and support of the entire congregation. I know that many of them are holding their breath as they experience the awe of shofar blasts, and I visualize that I have their permission to use all the air in the sanctuary to blow tekiah gedolah.

11.           Use a Shofar that is Easy to Blow: Unlike a modern trumpet, each shofar is unique, and some are very difficult to sound. Nu? So don't make it hard on yourself; find a shofar that is easy for you to blow.

12.           Find your Horn’s Resonant Frequency: During a long blast, the voice of shofar may change its pitch or timbre. While these changes may seem to occur spontaneously as if the horn was still a living thing with a mind of its own (and it is), the shifts are also in response to subtle changes in air pressure, tension in the lips, or the relative positioning of the horn and lips. When this happens to you, notice that the effort required to sound shofar may vary. To sustain a long tekiah gedolah, find the combination that requires the least “wind” to blow. This will generally be at a resonant frequency. It is not necessary to understand the physics. What is important is that you pay attention to the amount of breath you need to blow shofar. When you find a pitch that is easy maintain without having to blow hard, you have found a resonant frequency, the “sweet spot” in your shofar’s voice.

13.           Ask for Support: During a long, sustained shofar blast, one is not breathing fresh oxygen into his or her body. This can produce symptoms of lightheadedness and even fainting. This is even more likely after fasting, when even the act of standing can be challenging. If you are concerned about fainting, ask someone to stand at your side to support you. Moses, when he stood with outstretched arms on a hill above our battle with Amalek, had Aaron and Hur standing by his sides to support him. And when you read from the Torah, you have a gabbai standing next to you. There is a reason why we bless someone performing a mitzvah with “yashar koach, may you have strength”; we are most vulnerable to the evil impulse while we are doing a mitzvah. Getting the support you need will allow you to blow without fear of injuring yourself should you faint.

14.           Keep your Focus on Listening: The mind plays tricks on us, making us panic or feel like we are out of air or about to pass out long before we are in real danger. If you are listening, you will not be thinking about how you might be running out of air. You will want to hear more and more.

15.           Become Invisible: Pull your tallit over your head, allowing the far end of the shofar to protrude from under your cover. From the anonymity of your own private sanctuary, you can blow and listen uninhibited by thoughts of what you might look like or the visual distractions of your surroundings. This technique can also heighten the experience of the congregants listening to the blasts, since they veil will conceal the shofar blower’s face and keep the focus on the sound.

16.           Inhale First: Many shofar blowers rush into their blast as soon as the first syllable of “tekiah gedolah” is pronounced by the caller. Instead, wait until the full call is uttered, then quietly reground yourself to the earth, raise to your full stature, bring shofar to your lips, and inhale deeply before blowing. The momentary delay will heighten the drama of the blast and arouse the congregation to listen even more closely as they fill with anticipation. This pause is similar to the midrash about why Torah begins with the letter Bet instead of Aleph, the silent first letter of the Hebrew Aleph-Bet. It is said that the Aleph is the sound of God inhaling before the Eternal uttered the first sound of creation.

17.           Exhale: The real secret to inhaling is to be sure to exhale first. When blowing the relatively short tekiah, shevarim, and teruah blasts, you probably will not require all the air in your lungs. Instead, you will blow one blast, suck in a little gulp of air, blow the next blast, and take another short gulp of air, and continue taking short inhalations throughout the entire sequence of ten or thirty blasts. By not inhaling fully between each blast, your lungs will contain stale air and your blood will become deoxygenated. The rest of the congregation may be in a hurry to get out of shul, but shofar blasts should occur in “sacred time” that is not measured by the clock. So don’t hurry. Take time to exhale fully after each toot, and your body will naturally breath in fresh air. Then, when you get to tekiah gedolah, you will be stoked and ready.

18.           Wet Your Whistle: Moist lips vibrate more easily than dry lips. More, it can help to moisten your shofar. Before blowing a conch shell, Hindu devotees make a ritual of pouring water into their “horn”; it makes the instrument easier to sound and is an act of purification. The practice is permitted in Judaism, too; the Talmud permits us to pour water, wine, or vinegar into a shofar. If it is not a fast day, you may want to take a drink of water yourself. On fast days, however, reserve the liquid for the shofar in keeping with the ethical principal that a farmer must feed his livestock before feeding him or her self.

19.           Visualize your Blast is Heard in all the Worlds: Motivational speakers say that the way to reach a goal is aim beyond it. So blow shofar with the goal of having it heard even beyond the back row of seats in your synagogue. Blow so they can hear it throughout your neighborhood and to the outskirts of your town. Blow with the intent that the call will be heard all the way to Washington, the Middle East, the hospitals and prisons and corporate board rooms and all the places in our society that need healing. Blow with the certainty that the endangered plants and animals (and they all are) in the rain forests, the family farm, and the coral reefs feel the vibration. Merge your blast with those of all shofarot being sounded around the world and blow so that all ten sefirot of the kabbalah’s Tree of Life resonate and harmonize with the vibration of shofar. In just a few days after the Days of Awe, we will enter the sukkah and invite our ancestors to sit with us; blow with the understanding that even now they are straining to hear the message that transcends physicality and temporality.

20.           Blow Softly: For tekiah, teruah, and shevarim, I try to produce loud, strong blasts, blasts that can pierce the heart and awaken the spirit. Then, once the congregation is fully alert, tekiah gedolah does not have to be loud; everyone is already listening with their senses fully engaged. In fact, the more quietly we blow, the closer we listen. This is a technique professional speakers often use, raising their voice to higher and higher volumes, then switching to a low decibel level so we have to listen more intently to hear what is being said. Musicians call it "soto voce" and use it to add emphasis. We can also think of tekiah, teruah, and shevarim as calls primarily to be heard by our fellow humans and sentient beings. Tekiah gedolah, on the other hand, is a direct line to Spirit and does not depend on acoustical pressure to be heard.

Registration for the eight-hour class closes soon. For more information contact the Kallah office at 267-567-2486 or kallahadmin@rcn.com.

Michael Chusid has taught shofar at American Jewish University, Hebrew Union College, Limmud, Cactus Kallah, and many synagogues and havurot. Reb Zalman calls Michael Chusid “the mouthpiece of the shofar.” He is author of Hearing Shofar: The Still Small Voice of the Ram’s Horn and blogs at www.HearingShofar.com.

2013-04-27

Music: Simon Sargon and the Weeping Shofar

B'Kol Shofar ("With the Voice of the Shofar") (1992)
Soprano solo/SATB/brass quintet (2 trumpets; 1 horn; 2 trombones)/organ. The title indicates the brass accompaniment of these three psalms. A dramatic and substantial setting in which the many colors and full sound of the organ is contrasted in sonority with the power of the brass quintet.

Our price: $10.00

B'Kol Shofar ("With the Voice of the Shofar") (1992)
Soprano solo/SATB/brass quintet (2 trumpets; 1 horn; 2 trombones)/organ. The title indicates the brass accompaniment of these three psalms. A dramatic and substantial setting in which the many colors and full sound of the organ is contrasted in sonority with the power of the brass quintet.

Our price: $10.00

Flame of the Lord (Gasparo GSCD 347)
Artists: Colleen Oates, soprano; Randall Scarlatta, baritone; Helen Blackburn, flute; Susan Dederich, harp; Peter Steffens, cello; Mark Kashper, violin; Gregory Hustis, horn; Barbara Sudweeks, viola; Simon Sargon, piano; SMU Meadows Chorale.
Available through amazon.com
Review Available


The Weeping Shofar (1998)
Horn/piano. Using the horn to evoke the calls of the shofar (ram's horn), Sargon's piece mourns the destruction of the Holocaust, utilizing experimental horn techniques to simulate the cries and sobs of the doomed. The Horn Call proclaims: "The composition conveys such a powerful message that the listeners should be granted at least a few minutes afterward to recover."


The Weeping Shofar (1998)
Horn/piano. Using the horn to evoke the calls of the shofar (ram's horn), Sargon's piece mourns the destruction of the Holocaust, utilizing experimental horn techniques to simulate the cries and sobs of the doomed. The Horn Call proclaims: "The composition conveys such a powerful message that the listeners should be granted at least a few minutes afterward to recover."


Un'taneh Tokef (We affirm the holiness...) (1997)
For baritone and soprano soloists, SATB and organ. In four movements. One of the central prayers of the High Holiday liturgy. Recorded on Renew Unto Us A Good Year (Temple Emanu-El, 2001).

Our price: $6.00

Note: you must order at least 5 items

2013-04-21

How Shofar entered Synagogue

rav_hisda Author Maggie Anton has this to say about her book:
Rav Hisda’s Daughter provides conflict on three levels. On the grand stage, Zoroastrian Persia battles Christian Rome for world domination, while on a more intimate stage, Rav Hisda’s two best students vie for my heroine’s hand in marriage.

In the middle is a conflict whose outcome fundamentally changed Judaism. This is the early Rabbis’ struggle to reinvent and revitalize Judaism after the Holy Temple in Jerusalem was destroyed by Rome in the first century. Until this time, as detailed in the Bible, Jewish observance centered on the Temple. There the people came for the three pilgrimage festivals; there the priests offered a variety of sacrifices on their behalf. Yet in less than 400 years, Rav Hisda and a few hundred colleagues convinced a million Jews in Babylonia to embrace a new Judaism that functioned without the Temple or its priests. This had to be a difficult transition, as many Jews would have been skeptical of these self-appointed Rabbis and rejected their authority.

The Rabbis’ earliest success was likely instituting new ways to observe the Biblical festivals, as well as creating new holidays like Hanukah and Purim. Synagogues came into existence, along with innovative rituals and liturgy. Passover was now celebrated at home with a special dinner, the Seder, and using some clever arithmetic, the Rabbis showed that Shavuot, another pilgrimage festival, deserved celebration because it was the day the Torah was given on Mt. Sinai.

But it was with Rosh Hashana and Yom Kippur where they excelled.

Compared to the pilgrimage festivals, these holidays are barely mentioned in the Bible. There we learn that the shofar is blown on Rosh Hashana to announce the New Year and that a goat is sent into the wilderness to atone for the peoples’ sins on Yom Kippur. The Rabbis expanded Rosh Hashana to include a lengthy shofar service in synagogue, along with a theology of people being judged by the Heavenly Court as to whether they merited being written into the Book of Life for the upcoming year. Yom Kippur built on this to give a holiday much like today, where Jews spend the entire day in synagogue – fasting, confessing their sins, and praying for forgiveness.

In this manner the Babylonian Rabbis created the Talmud, which has been the source of Jewish law and traditions for over 1500 years. And in Rav Hisda’s Daughter: A Novel of Love, the Talmud, and Sorcery, I show how this process began.

From http://www.penguinusablog.com/category/authors-desk/maggie-anton-rav-hisdas-daughter/ accessed 2013-04-21

Watch the book trailer for Rav Hisda’s Daughter

2013-04-13

 
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